Evensong by Mary Gage, reviewed August 2006

Anita Gates, New York Times, August 16, 2006
Gwen Orel, Back Stage, August 21, 2006
Oscar Moore, Talk Entertainment, August 8, 2006
Loria Parker, Theatre Scene, August 20, 2006



William Kerns reviewed Angels in America: Perestroika in the Lubbock Courier-Journal, April 28, 2006.

Lubbock, TX -- "Directed by Lewis Magruder...this is undeniably powerful theatre, guaranteed to affect and inspire those who have and have not seen 'Millenium.'

...This production flows....because pain and passion are so believably expressed and communicated....



Myra Yellin Outwater of The Morning Call reviewed Cole!, November 2004.

ALLENTOWN, PA — "Cole!" the musical/revue/biography of Cole Porter, now in the Arena Theatre of Desales' Labuda Center, is an intimate, entertaining and delightful little gem. Director Lewis Magruder has infused this 1974 British revue...with show biz panache.

"Magruder has used his imagination to take advantage of the black box theatre. With props and costume accessories such as scarves, hats, canes, glitter and treasure chests, he cleverly spotlights each member of the cast. And they deliver. They effortlessly vary the tempo, bouncing back and forth from barbershop quartet to torch song solos to cabaret to romantic duos to folksy burlesque....


Jack Eddleman reviewed A Christmas Carol, by Eberle Thomas and Barbara Redmond, in The Brandenton Herald, December 10, 2002.


SARASOTA — "If you would like an exhilarating evening in the theatre, hie you to the Asolo Theatre Festival for the remarkable revival of Dickens' 'A Christmas Carol.' It is a fresh, vital and invigorating new look at the holiday perennial that shakes the cobwebs off this classic tale of one manÕs last change to rediscover his own humanity.

"From the opening song, we are swept into a refreshing, joyous series of beautifully directed and stunningly played sequences. New director Lewis Magruder has created theatrical magic with everything he touches. Rarely have I seen an entire cast so turned on to the joy of performing .Scenes shift have a delicious enery of their own, with gorgeous freezes that vibrate with life.

"A certain stodginess that surrounded the adaptation and the staging in the previous seasons is gone. Consequently the laughs start sooner and are more numerous.

"Magruder and his gifted crew of artists and artisans have collaborated on a truly memorable achievement. Go and let your spirits soar."



Kristen Schoonover reviewed Women of Troy, by Euripides as adapted by Kenneth Cavander, September 1999.

NEW YORK — "Lewis Magruder had directed a rousing interpretation of Euripides' tragedy Women of Troy.

"The situation could easily seem remote, but Magruder makes connections to contemporary times by replacing the traditional Greek chorus — one of the usual stumbling blocks for a modern audience — with tape recorded testimonials of modern-day refugees. As women from Kosovo, Burma, and the Nazi-controlled Netherlands speak of the terror and devastation of leaving their homelands, they remind us that the more things change, the more they stay the same."


Lucy Komisar, Editor, American Reporter Theater Review, reviewed a production of Cloud 9, by Caryl Churchill, January 10, 1998.

NEW YORK — "The British playwright Caryl Churchill is one of the most imaginative, biting, satiric social critics now writing for the theater, and her 1979 work, 'Cloud 9,' gets a stunning staging by the very talented Broad Horizons Theatre Company in its debut New York performance.

"This work, ranging from British colonial Africa in the time of Queen Victoria to present-day London, is an occasionally melodramatic and sometimes verbally explicit farce that hits British colonialism, racism, sexism, and rigid and hypocritical attitudes about sex encompassing everything from infidelity (ho hum) and homosexuality to masturbation.

"It is very, very funny. The Broad Horizons troop performs its acting chores brilliantly; this includes men playing women, a woman playing a man, a white playing a black, and everyone switching roles — and in some cases, gender — for the second act, set 25-years later.

"The production is directed with panache and wit by company founder Lewis Magruder."


Harry Zimbler reviewed The Illusion, by Tony Kushner, in The Centre Daily Times, November 18, 1996.

STATE COLLEGE, PA — "Great theater ought to be a journey to revelation. This production, executed with great skill and artistry, opened November 17 at the Pavilion Theater.

"Much of the credit for this splendid URTC production must go to director Lewis Magruder. He had the good fortune and, one suspects, the theatrical savvy to bring together a stellar cast".

"Magruder's magic wand deftly keeps the action moving and focused on stage. His attention to character detail and stage picturization is most admirable. There is a playfulness to this complex play that is most surely the result of a sensitive director working closely with his actors."

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